
After Hurricane Katrina, Robert Polidori went to New Orleans, where he lived years ago, to shoot photographs of the devastation for The New Yorker. He stayed longer than first planned, then went back again and again, for weeks, taking hundreds of pictures with a large-format camera that produced wide, superbly detailed color photographs. The camera was awkward to manipulate through the wreckage and in the heat, without electricity and lights. At the Metropolitan Museum of Art, Jeff L. Rosenheim, a photography curator, has selected a couple dozen of these big panoramas and interiors to make a pocket-size lament for a woebegone city.
You're in Easy Mode. If you prefer, you can use XHTML Mode instead. |